135 x 175 cm, oil, ink, xerox transfer on linen

135 x 135 cm, oil, ink and xerox transfer on linen

The devil works hard, but gentrification works harder (2019)

153 x 153 cm, oil, ink and xerox transfer on linen

A Lineage of Grace (for Toni and Cindy) (2019)

135 x 135 cm, oil, ink and xerox transfer on linen

150 x 145 cm, oil, ink and xerox transfer on linen

You can fool some people sometimes, but you can’t fool all the people all the time (2019),

125 x 125 cm, oil, ink and xerox transfer on linen

In a Short Time This Will Be a Long Time Ago (2019),

125 x 125 cm, oil, ink and xerox transfer on linen

It wasn’t how it was supposed to be, but it was how it was (2019),

150 x 140 cm, oil, ink and xerox transfer on linen

130 x 130 cm, oil, ink and xerox transfer on linen

135 x 135 cm, oil, ink and xerox transfer on canvas

200 x 165 cm, oil, ink and xerox transfer on linen

170 x 135 cm, oil on canvas

85 x 125 cm, oil on canvas

145 x 175 cm, oil, ink and xerox transfers on canvas

170 x 165 cm, oil on canvas

125 x 200 cm, oil and ink on linen

200 x 155 cm, oil, ink and xerox transfer on linen

200 x 170 cm, oil, ink and xerox transfer on canvas

200 x 240 cm. Oil, ink and xerox transfer on canvas

135 x 200 cm, oil and ink on canvas

135 x 200 cm, oil and ink on canvas

145 x 190 cm, oil, ink and xerox transfer on canvas

145 x 180 cm

oil, ink and xerox transfer on canvas

135 x 175 cm

Oil, ink and xerox transfer on canvas

165 x 200 cm, oil, ink and xerox transfer on canvas

Painting is loosely influenced by the Surinamese writer Astrid Roemer's 'drieling' trilogy.

170 x 120 cm

Acrylic ink on canvas

Painting is loosely influenced by the Surinamese writer Astrid Roemer’s ‘drieling’ trilogy.

170 x 200 cm

Oil, xerox transfer and ink on canvas

Painting is loosely influenced by the Surinamese writer Astrid Roemer’s ‘drieling’ trilogy, and Marcel Camus’s 1959 film ‘Orfeu Negro (Black Orpheus)’

(2015)

200x190 cm

oil, ink and xerox transfer on canvas

200 x 240 cm, oil, ink and xerox transfer on canvas

Painting is based on a Gordon Parks photograph printed in Life magazine in 1956 for an essay about segregation.

165 x 200 cm

ink, oil and xerox transfer on canvas