PUBLICATIONS/PRESS/OTHER:
2022
When We See Us: A Century of Black Figuration in Painting catalogue, Zeitz MOCAA Cape Town, Thames & Hudson,
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Format: Hardcover
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Pages: 336
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Artwork: 230 color illustrations
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Size: 8.6 in x 11.4 in x 1.4 in
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Published: March 28th, 2023
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ISBN-10: 0500025886
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ISBN-13: 9780500025888
The Atlantic, commission, 'Inheritance: THEY CALLED HER ‘BLACK JET’ by Keisha N. Blain
Esiri Erheriene-Essi: Why I Love Alice Neel, Juxtapoz magazine (online), March 2022 link
Esiri Erheriene-Essi Spotlights the Vibrancy of Black Domestic Life in New Print, HYPEBEAST, 20/04/2022 link
2021
The Future Isn't What It Used To Be (catalogue)
MARUANI MERCIER Gallery, 2021
Book 132 pages
Publisher: MARUANI MERCIER Gallery
ISBN: 978-2-930487-39-7
Dimensions: 30 x 23.5 x 2.2 cm
With texts by Shaquille Heath and Esiri Erheriene-Essi
https://maruanimercier.com/store/publications/27/
I Am Here Because You Were There: A Studio Visit With Esiri Erheriene-Essi, Juxtapoz Magazine, Spring 2021, Sasha Bogojev Juxtapoz Link
Feature and cover: WePresent Magazine ‘Best of 2020’
Feature: Black Art Matters, Harper’s Bazaar Germany, Winter February 2021
2020
Juxtapoz magazine, feature:
https://www.juxtapoz.com/news/magazine/features/esiri-erheriene-essi-a-most-present-future/
GLIMPSES: ESIRI ERHERIENE-ESSI IS REPAINTING HISTORY IN TECHNICOLOR, Zócalo Public Square, October 14 2020,
Jackie Mansky
WeTransfer, feature:
https://wepresent.wetransfer.com/story/esiri-erheriene-essi/
Garage Magazine, commission, issue 19, 2020
https://garage.vice.com/en_us/article/7k9zg4/kenneth-ize
Interview - Artplugged
https://artplugged.co.uk/esiri-erheriene-essi-artists-inside-the-industry/
040: Esiri Erheriene-Essi is Moving Through Time – radio interview:
2019
Prix de Rome 2019 catalogue
Beeldende Kunst / Visual Arts
Mirjam Beerman, Eleonoor Jap Sam [eds.]
ISBN978-94-92852-16-8
https://www.japsambooks.nl/products/prix-de-rome-2019
Studio Time: Esiri Erheriene-Essi Prepares for the Prix de Rome
Geëngageerd werk voor Prix de Rome vraagt aandacht voor het onderbelichte
Indian summer – De Groene Amsterdammer
https://www.groene.nl/artikel/indian-summer
2018
‘De nieuwe collectieopstelling van de AkzoNobel Art Foundation geeft een gepast antwoord op het doorgeslagen individualisme’, Rutger Pontzen, de Volkskrant, 11/05/2018, pg V15
‘Esiri Erheriene-Essi: Portraying the hidden elements of history’, Sasha Bogojev, Juxtapoz Magazine (feature), Jan 20 2018:
‘De optimistisch lach valt uit de toon’, Kees Keijer, Het Parool, Jan 26 2018
2017
Metropolis M: Art Zuid initieert een nieuw programma in de Kunstkapel aan de Zuidas: Art Chapel
http://www.metropolism.com/nl/features/30319_art_chapel
2016
Metropolis M: What We Have Overlooked, 08/02/2016 | FEATURE - Vincent van Velsen http://www.metropolism.com/nl/features/24198_what_we_have_overlooked
2014
‘Don’t Support the Greedy’, authors: Marlene Dumas, Esiri Erheriene-Essi, Mirjam Westen and published by Museum Arnhem, ISBN 978-90-72861-52-8
‘Strange Fruit: Esiri Erheriene-Essi’, Koen Kleijn, De Groene Amsterdammer, nr. 25, 2014, p. 50
https://www.groene.nl/artikel/strange-fruit
de Verdieping Trouw, NL, 23/09/2014, p. 4
‘Vooroordelen verpakt in felle kleuren’, Sandra Smets, NRC Handelsblad, 25 april 2014
https://www.nrc.nl/nieuws/2014/04/25/vooroordelen-verpakt-in-felle-kleuren-1369265-a1164692
‘Studio visit: Esiri Erheriene-Essi’, Floor van Luijk, Metropolis M (online only): http://metropolism.com/features/studio-visit/english, 2/09/2014
2013
De Volkskrant newspaper NL, 19/09/2013, Kunst: Drawing Amsterdam, p 22
2012
"Uitgelicht: Schilderkunst in Nederland: Generatie 2.0", Braat, Manon, Kunstbeeld, nr. 5, 2012, p. 42
2011
“Amsterdam”, Elephant: The Arts & Visual Culture Magazine, issue 8, Autumn 2011, p 184
De Volkskrant newspaper, NL 18/02/2011
2010
“New Talent”, Blend, van der Does, Bieneke, issue 47, jan/feb 2010, p 102, NL
2009
(Catalogus), Koninklijke Prijs voor Vrije Schilderkunst, 2009, p 14-17, NL
Offspring 2009, Amsterdam, De Ateliers, p 33 – 40, NL
‘Signalement: Esiri Erheriene-Essi’, Spijkerman, Sandra, Kunstbeeld, nr. 12/1, pp 34-37